Blogtrotters

Saturday, April 15, 2017

Tommy T - The Prester John Sessions [2009] [usa+eth]






   R   E   U   P   L   O   A   D   






       For the past three years, Tommy T (Thomas T Gobena) has been the bass player for gypsy punk powerhouse Gogol Bordello, the New York City-based band known for their blend of Gypsy, punk, dub reggae, metal and flamenco. 









       Tommy was born and raised in Ethiopia and the knowledge of global rhythms he brings to Gogol’s sound has become part of their unclassifiable approach to music making. With the encouragement of his Gogol Bordello band mates, Tommy has produced his first solo effort, The Prester John Sessions, an aural travelogue that rages freely through the music and culture of Ethiopia.

      "In the 70s, funk, wah-wah pedals, and jazz had a huge impact on Ethiopian music," Tommy explains. "The Prester John Sessions will give people an idea about the musical diversity of Ethiopia, which includes influences and ideas borrowed from the sounds of the 70's with the added bonus of up-to-date production values."









       Tommy discovered the story of Prester John in Graham Hancock’s book The Sign and the Seal. “Hancock was looking for the Biblical Ark of the Covenant,” Tommy says. “His quest led him around the world, from Middle East to Europe and back to Ethiopia. While doing his research, Hancock discovered the legend of Prester John. In the 12th and 13th centuries, Prester John was an unknown Christian king with massive troops that got the attention of European kings. Prester John is the character I use to symbolize the man who will bring Ethiopian culture to the rest of the world.”

       To fulfill his vision, Tommy started digging through Ethiopian folk music, choosing melodies he could improvise on. He also wrote his own compositions based on traditional modes. “A lot of popular Ethiopian music is based on a 6/8 beat called chikchika, but there are also many other rhythms in Ethiopia that have their own unique characteristics. I play with The Abyssinian Roots Collective on the album. They are sometimes known as The ARC, which coincidentally ties into the Ark of the Covenant and the Prester John story. We’re mostly Ethiopian, so getting the music down was easy. I gave them the tunes, and then we improvised the arrangements so the music has an organic feel.”











       Tommy composed and produced the music, with his brother Henock contributing to the tunes “Brothers” and “East-West Express.” The tracks were written at Tommy’s home studio and cut live in a couple of studios around Washington, DC and overdubs were laid down in real time with a final mix by Victor Van Vugt (Nick Cave, Gogol Bordello) that gave it the feel of Herbie Hancock’s Headhunters jamming with Ethiopian godfathers The Imperial Bodyguard Orchestra. The music blends Ethiopian modes with dub reggae, funk, and jazz, for a sound that’s at once familiar and mysterious.

      “The Eighth Wonder” has a light, jazzy feel based on the chikchika rhythm, played in the style common to the Wollo province, home to the rock-hewn churches of Lalibela. “Much like the pyramids of Giza, much has been made over the 11 stone churches of Lalibela, often referred to as the “Eighth Wonder,” Tommy explains. “This track uses the chikchika beat, but expands it into other directions.” Tommy’s melodic bass weaves through the tune’s horn and Massinqo (an Ethiopian single-stringed instrument played like a violin) lines, while the drummer keeps the beat with a series of tom rolls complimenting the kick drum. Dub effects keep the instruments dancing in and out of the mix. “Beyond Fasiladas” references the Castle of the emperor Fasiladas in Gondar, Ethiopia’s capital in the 17th Century. It uses a fast, driving beat from Gondar and interpolates several traditional melodies. Massinqo, guitar and an energetic bass line give the tune a funky, relentless pulse. Setegne Setenaw plays the melody on Massinqo. “The Response” features vocals from Gigi and Tommy. It’s a love song with an almost unbearable sense of longing. Tommy plays acoustic guitar and bouzouki with a West African feel influenced by the music of Mali, although the melody is purely Ethiopian. “Eden” pays homage to the lush and raw landscapes of Ethiopia. Gigi’s wordless vocal is full of joy. The slow dubby rhythm and a muted blue flugelhorn give the track a timeless feel. “Oromo Dub (Cushitic dub)” is driven by Tommy’s phat bass riddim and revolves around traditional tunes that existed ages ago. Abdi Nuressa sings in Oromo, one of the many languages in Ethiopia, and his voice drifts through intergalactic dub space taking this ancient song into the future. The album’s ten tracks epitomize the Ethiopian ideal of Semena Worq - Wax and Gold. The wax is the surface of the music, bright and modern, with its jazzy, funky accents. The gold signifies the depth of tradition that gave birth to these sounds, nuggets culled from one of the oldest cultures on earth, presented by Tommy and his compatriots in all their shining beauty.

       Tommy T was born and raised in Ethiopia’s capital city, Addis Ababa. “There was always music in our house,” Tommy recalls. “When I was five, my older brother Zelalem got an acoustic guitar from my father. By the time I was six I could pick up a guitar and play what my brothers were playing.

       Tommy had no intention of becoming a musician, but when his brother Henock moved to Washington DC, Tommy followed. “I looked up to him as a brother and a bass player. After he sent a copy of his first album to us in Ethiopia, I started playing acoustic guitar like a bass. When I came to the States, I got a real bass. There are over 200,000 Ethiopians in the DC metro area, so I was able to make a living playing in Ethiopian bands.”

       Tommy completed a degree while playing in bands three or four nights a week. “I played in Ethiopian bands, and then started a reggae band called ADOLA which also backed many well known Ethiopian artists such as Aster Aweke and Gigi to name a few. I was also interested in other styles of music including R&B, hip-hop, and neo-soul. I worked with Wayna [Wondwossen, recently nominated for a best urban performance Grammy for her song “Lovin’ U (Music)”] and produced a couple of tracks on her Moments of Clarity album with my friend Abegasu Shiota.” While collaborating on a project with guitarist Eran Tabib, he heard Gogol Bordello was looking for a bass player familiar with international grooves.

    His years with Gogol inspired Tommy to develop The Prester John Sessions, another band with a global outlook. The reggae band he and his friend Zedicus (Zakki Jawad) started in DC had evolved into The Abyssinian Roots Collective; they helped Tommy bring The Prester John Sessions to life. “I believe in music without boundaries,” Tommy says. “Music should be inclusive, not exclusive. We should use sounds from everywhere to create a universal vibe. The music business isn’t friendly to that kind of thing, but the people who hear it respond to it well. Gogol is a rock band, but the sound is global. People who love music know the best music is created without boundaries and limitations. The Prester John Sessions take that idea to the next level.”




01. Tommy T - Brothers (5:03)
02. Tommy T - The Call (4:04)
03. Tommy T - The Response (Featuring Gigi) (4:43)
04. Tommy T - The Eighth Wonder (6:51)
05. Tommy T - Oromo Dub (Cushitic Dub) (4:34)
06. Tommy T - East-West Express (4:21)
07. Tommy T - Tribute To A King (4:11)
08. Tommy T - Beyond Fasiladas (3:16)
09. Tommy T - September Blues (3:29)
10. Tommy T - Eden (Featuring Gigi) (5:53)
11. Tommy T - Lifers (Michael G Easy Star Remix feat. 
                          Eugene Hutz And Pedro Erazo) (2:06)



Aster Aweke - Ebo [1993] [ethiopia]





   R   E   U   P   L   O   A   D   





Aster Aweke - Ebo










1. Aster Aweke - Minu Tenekana (6:04)
2. Aster Aweke - Ebo (8:02)
3. Aster Aweke - Yale Sime (7:04)
4. Aster Aweke - Yene Konjo (6:53)
5. Aster Aweke - Bale Garie (6:34)
6. Aster Aweke - Esti Lnurbet (6:43)
7. Aster Aweke - Yewah Libane (8:13)
8. Aster Aweke - Ashe Weyina (6:07)




Gete Aneley - Chebel Lebe [2004] [ethiopia]




   R   E   U   P   L   O   A   D   




















1. Gete Aneley - Ayenama (9:08)
2. Gete Aneley - Ambassel (6:03)
3. Gete Aneley - Yemnejar Leje (7:53)
4. Gete Aneley - Megalo Wello (6:27)
5. Gete Aneley - Agerre Gonder (7:57)
6. Gete Aneley - Derbabey (6:11)
7. Gete Aneley - Chebel Lebe (5:02)
8. Gete Aneley - Aya Belew (5:45)
9. Gete Aneley - Hole (5:19)




Friday, April 14, 2017

Weshenfer Argaw & Martha Ashagari - Weshenfer Argaw & Martha Ashagari [ethiopia]














Martha Ashagari and Weshenfer Aragaw - Ere Damay






Weshenfer Argaw & Martha Ashagari - 01 - Eroman Neh (5:41)
Weshenfer Argaw & Martha Ashagari - 02 - Zemedea (4:59)
Weshenfer Argaw & Martha Ashagari - 03 - Metsahu Beleni [Tegrigna] (6:05)
Weshenfer Argaw & Martha Ashagari - 04 - Tadu (4:31)
Weshenfer Argaw & Martha Ashagari - 05 - Anchi Bir Albo (4:19)
Weshenfer Argaw & Martha Ashagari - 06 - Tolo Neylign (4:48)
Weshenfer Argaw & Martha Ashagari - 07 - Tey Deresh (7:05)
Weshenfer Argaw & Martha Ashagari - 08 - Sewnete Akale (6:13)
Weshenfer Argaw & Martha Ashagari - 09 - Eyew Mela Mela (6:17)
Weshenfer Argaw & Martha Ashagari - 10 - Memekyea (5:03)





Thursday, April 13, 2017

Theodros Mitiku - Fiker Ayaregim [Instrumental] [2016] [ethiopia]















Theodros Mitiku - Awash






Theodros Mitiku - 01 - Enigenagnalen (6:33)
Theodros Mitiku - 02 - Balegariw (6:06)
Theodros Mitiku - 03 - Fiker Ayaregim (3:08)
Theodros Mitiku - 04 - Ene Weshetennew (7:36)
Theodros Mitiku - 05 - Ketesmamash (6:34)
Theodros Mitiku - 06 - Man Ende Enat (8:12)
Theodros Mitiku - 07 - Yeabay Wuha (6:49)
Theodros Mitiku - 08 - Eshiruru (6:07)
Theodros Mitiku - 09 - Tegegnetual (2:10)
Theodros Mitiku - 10 - Mushiraye (6:58)
Theodros Mitiku - 11 - Teshebere Hode (6:29)
Theodros Mitiku - 12 - Mewdeden Wodedcut (5:36)






Wednesday, April 12, 2017

Seleshe Damesse (Gash Abera Mola) - Yamiral Hagere [2013] [ethiopia]











         Seleshe Damesse was born and grew-up in Jan-Meda, an area between Sedest Kilo and Ferensay Sefer.

          Seleshe remebers that he was initially captivated by the music world while attending, during his childhood, the frequent musical performances of Guard Musical Band with such celebrated singers as Tilahun Gessesse and Bizunesh Bekele.

           Seleshe who recalls that he was coached how to play kirar ( an Ethiopian equivalent to Guitar) by  his father, was enrolled by higher musical education institutions in Vermont, Goddard College, Burllington College and worked with Michigan State University Masters program on African and Asian music research.

           During his stay abroad, Seleshe had presented a number of solo and group concerts with world renowned musicians. Moreover, he had published a total of 11 albums in Djibouti, the United states of America and Germany respectively.








Gash Abera Molla - Yameral Hagere [ያምራል-ሀገሬ]






     The artist  whose musical works were widely covered by international televisions and radio stations, had also secured the esteem and The Boston Globe, Washington post and many other known journals.

     Furthermore, Seleshe had also won, among others, the UN Environmentalist award, as well as the London Green Award for his volunteer contribution.

         Seleshe an artist with his own unique skills in the presentation of the culture and history of Ethiopia by  means if folkloric first-ever Ethiopian music album arrange and conducted by a fully-fledged orchestra.

      The artist has taken his time to dramatically, penitently or orally incorporate, as usual, his outlook on natural mysteries and traditional  music in his new album.




Seleshe Damesse (Gash Abera Mola) - 01 - Yamiral Hagere (5:17)
Seleshe Damesse (Gash Abera Mola) - 02 - Mintiwab (ምንትዋብ) (4:35)
Seleshe Damesse (Gash Abera Mola) - 03 - Ye'arada Tizita (የአራዳ ትዝታ) (6:47)
Seleshe Damesse (Gash Abera Mola) - 04 - Yeserge Leta (የሠርጌ ለታ) (5:13)
Seleshe Damesse (Gash Abera Mola) - 05 - Gojam (ጎጃም) (5:15)
Seleshe Damesse (Gash Abera Mola) - 06 - Be'anchi Aro (በአንቺ አሮ) (4:50)
Seleshe Damesse (Gash Abera Mola) - 07 - Abay (አባይ) (8:29)
Seleshe Damesse (Gash Abera Mola) - 08 - Azila (አዚላ) (3:43)
Seleshe Damesse (Gash Abera Mola) - 09 - Minjar (ምንጃር) (4:03)
Seleshe Damesse (Gash Abera Mola) - 10 - Raya (ራያ) (4:10)
Seleshe Damesse (Gash Abera Mola) - 11 - Yezegeyeshibet (የዘገየሽበት) (4:22)
Seleshe Damesse (Gash Abera Mola) - 12 - Gash Abera Mola (ጋሽ አበራ ሞላ) (7:14)
Seleshe Damesse (Gash Abera Mola) - 13 - Hagere (ሀገሬ) (6:42)