Akalé Wubé’s third album, Sost (“three” in Amharique) is perfectly in line with their previous records, it is also a testament to a more mature and experienced band, who have proved able to win over different audiences in different circumstances with their infectious grooves. While touring in Ethiopia, the band realised that local musicians had stopped playing music from the Swinging Addis golden age. A puzzling but liberating discovery that convinced the band to completely stand behind their project, and release three albums to date.
More than half of the tracks in “Sost” are original compositions, with the other half being songs discovered on old cassette tapes brought back from Ethiopia. Akalé Wubé have invited the radiant Genet Asefa on three tracks, an Ethiopian singer with whom they have often shared the stage. Cautious to give precedence to authentic encounters, the band have chosen only to invite musicians with whom they have already played in a live context. Manu Dibango’s presence on the album is not an opportunistic move: there are strong human and musical ties between the afro-jazz pioneer and Akalé Wubé. Another sign of the band’s high quality expectations is that the album has been recorded in a studio set up by the band itself in the heart of Paris. This is a space that Akalé Wubé have made their own and which has permitted them to master completely the process of recording this album.
Akalé Wubé - Anbessa (feat Manu Dibango)
Akalé Wubé's third album is aptly-titled Sost, which means 'three' in Amharic--the official language of Ethiopia. The music is highly groove-based and follows the early traditions of Ethiopian jazz, which is not too unlike the popular Ethiopiques series. About half of the music is based on traditional recordings and cassettes found in Ethiopia, while the other half of the songs are original compositions. The emotive vocalist, Genet Asefa, leads a few tracks with her seasoned voice in line with tradition Ethiopia music. The blurt of a trumpet, the beat of a drum, and a jazzy melody with Afro-jazz flavorings rounds out the gist of each song. However, each song brings something new to light--whether it be a hook, a sound, or a rhythm. Akalé Wubé know how to tease the feet with danceable grooves and lush sounds. This is another acclaimed album. ~ review by Matthew Forss
Akale Wube - Alegntaye (ft. Genet Asefa)
Akalé Wubé - 01 - Anbessa (feat. Manu Dibango) (3:41)
Akalé Wubé - 02 - Alègntayé (feat. Genet Asefa) (4:19)
Akalé Wubé - 03 - Mèmona (5:59)
Akalé Wubé - 04 - Kidus à cent dix (5:17)
Akalé Wubé - 05 - Ashewa (4:36)
Akalé Wubé - 06 - Gab's Trap (4:00)
Akalé Wubé - 07 - Addis Abèba Bété (4:40)
Akalé Wubé - 08 - Fikratchin (3:26)
Akalé Wubé - 09 - Erikum (5:28)
Akalé Wubé - 10 - Spring No Come (feat. Genet Asefa)(4:26)
Akalé Wubé - 11 - Meri Tekikil (4:54)
Etienne de la Sayette - flutes, sax
Paul Bouclier - krar, trumpet, percussions
Loïc Réchard - guitar
Oliver Degabriele - bass
David Georgelet - drums
